Orlando movie review & film summary (1993)

"Orlando" is inspired by the novel by Virginia Woolf, herself a writer who tried to break free of sex and class restraints. Stanley Kauffmann writes in the New Republic that the novel was originally written for, and inspired by, Vita Sackville-West, said to be one of Woolf's lovers. It comes out of that pre-Beauvoir time in the earlier 20th century when society still regarded women as second-class citizens, not fit to vote, but when many women were energetically assaulting society's quaint notions as quickly as they could.

Orlando, the omnisexual hero-heroine of the story, is played throughout by Tilda Swinton, who is definitely a woman and not particularly androgynous; her obvious femininity is explained in an early scene by a reference to the male fops and dandies of Elizabeth's reign, who in their fashions and vanities outdid their women. Orlando, as a man, owns an estate with a great home on it, and is told during a visit by the queen that he can keep it forever - but only if he always remains young, fresh and ageless. So, he does.

(In a bow to the film's underlying theme, Elizabeth is played by Quentin Crisp, the octogenarian who wrote a famous book, The Naked Civil Servant, about his long years of shocking the British with his flamboyant homosexuality.) Orlando drifts dreamily and bemused from one era to the next.

The film skips ahead in leaps of about 50 years, as Orlando tries various careers (a stint as an ambassador in the Middle East is particularly educational) and relationships. There is a hitch when he becomes a she; as a woman, Orlando is informed by the authorities, she can no longer legally own her great estate (only men could then hold the title to property). If this were not bad enough, they explain, there is another hitch: Having lived by then more than 200 years, she must be presumed dead.

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